Wir, in den ringenden Nachten,
wir fallen von Nahe zu Nahe;
und wo die Liebende taut,
sind wir ein sturzender Stein.
Rainer Maria Rilke.
Friday, November 30, 2007
Tuesday, November 27, 2007
Night Meadow
Wide-eyed the rabbit in the green
looking to the hare on the face of
the moon - is it the cold, or fear
which makes her shiver? there's not
enough night, not enough darkness to
elope, - not a shadowfold to hide;
the predattors breath is on the air
when suddenly she jumps, - a white
dot of tail, zigzaging to the trees!
behind the bushes the foxes eyes,
lighten up, shine green and disapear!
by Nomi Ben-David, for Gaby.
looking to the hare on the face of
the moon - is it the cold, or fear
which makes her shiver? there's not
enough night, not enough darkness to
elope, - not a shadowfold to hide;
the predattors breath is on the air
when suddenly she jumps, - a white
dot of tail, zigzaging to the trees!
behind the bushes the foxes eyes,
lighten up, shine green and disapear!
by Nomi Ben-David, for Gaby.
Friday, November 16, 2007
Boomerang
writing a poem is very easy when you let it come to you, and you open the little door to that "room of changes", somewhere between the mind and the heart,
a word , a sentence or even a moment from a dream would not go away,
till i spend time to solve the puzzel put to me, - structure and rithme, the right words to a certain feeling, and then, very often the surprise towards
the end, something totaly unforeseen which comes out of nowhere, as
if to say, "you see now why all this needed to happen"?
needless to say, lots of it landed in the bin, - what i was left with, the little that stayed, needed getting used to, it often took time to understand what
my unconscious was trying to tell me...
yet with some very few things this would not work.
that is what happened with one small "set of words" written some years
ago, - i could'nt find one reason to why this came-up when it did...
sometime ago that little poem came back, boomeranging like a stone off
David's sling and strait to my heart...
unbeliveable as it sounds, poetry can be a dangerous thing sometimes.
should we believe in magic?
Federico Garcia Lorca did, and he forsaw things that happened...
i would'nt go too far with it. the advanture to me is not knowing what is
to come.
Neon
Pink hotel, angels sleep, dog looks for a tree,
man leaps out of window, hovers like a bee -
the air is dense with rain and it takes almost
one minute befor he hits the sidewalk - they
never told me his blood was blue, yet he is
royalty to me - for it's him who dared, not me.
by Nomi Ben-David
a word , a sentence or even a moment from a dream would not go away,
till i spend time to solve the puzzel put to me, - structure and rithme, the right words to a certain feeling, and then, very often the surprise towards
the end, something totaly unforeseen which comes out of nowhere, as
if to say, "you see now why all this needed to happen"?
needless to say, lots of it landed in the bin, - what i was left with, the little that stayed, needed getting used to, it often took time to understand what
my unconscious was trying to tell me...
yet with some very few things this would not work.
that is what happened with one small "set of words" written some years
ago, - i could'nt find one reason to why this came-up when it did...
sometime ago that little poem came back, boomeranging like a stone off
David's sling and strait to my heart...
unbeliveable as it sounds, poetry can be a dangerous thing sometimes.
should we believe in magic?
Federico Garcia Lorca did, and he forsaw things that happened...
i would'nt go too far with it. the advanture to me is not knowing what is
to come.
Neon
Pink hotel, angels sleep, dog looks for a tree,
man leaps out of window, hovers like a bee -
the air is dense with rain and it takes almost
one minute befor he hits the sidewalk - they
never told me his blood was blue, yet he is
royalty to me - for it's him who dared, not me.
by Nomi Ben-David
Wednesday, November 14, 2007
Capriccio
Behind each mirror
is a dead star
& a baby rainbow
sleeping.
Behind each mirror
is a blank forever
& a nest of silences
too young to fly.
The mirror is the wellspring
become mummy, closes
like a shell of light
at sunset
The mirror
is the mother dew,
the book of desiccated
twilights, echo become flesh.
by Federico Garcia Lorca
from Suites.
is a dead star
& a baby rainbow
sleeping.
Behind each mirror
is a blank forever
& a nest of silences
too young to fly.
The mirror is the wellspring
become mummy, closes
like a shell of light
at sunset
The mirror
is the mother dew,
the book of desiccated
twilights, echo become flesh.
by Federico Garcia Lorca
from Suites.
Monday, November 5, 2007
perfection
the tree in the backyard
surprises me, waking-up on
my birthday late saterday noon -
it stands there vibrating in
bright bridal yellow, it's crystal
atire flaring-up in the sun -
underneath it a perfect round
carpet of diamond-like leaves,
and as the wind does
not dare play it's novembery
hide and seek, not even the
ravens dare move the
hands of the clock, nor mutter
their complaint to the heron -
like him, on one foot, i stand
waiting a full minute - untill
one little yellow leaf, slowly
falls to the ground.
surprises me, waking-up on
my birthday late saterday noon -
it stands there vibrating in
bright bridal yellow, it's crystal
atire flaring-up in the sun -
underneath it a perfect round
carpet of diamond-like leaves,
and as the wind does
not dare play it's novembery
hide and seek, not even the
ravens dare move the
hands of the clock, nor mutter
their complaint to the heron -
like him, on one foot, i stand
waiting a full minute - untill
one little yellow leaf, slowly
falls to the ground.
Friday, November 2, 2007
Of Three or Four in a Room
Of three or four in a room
there is always one who stands beside the window.
He must see the evil among thorns
and the fires on the hill.
And how people who went out of their houses whole
are given back in the evening like small change.
Of three or four in a room
there is always one who stands beside the window,
his dark hair above his thoughts.
Behind him, words.
And in front of him, voices wandering without a knapsack,
hearts without provisions, prophecies without water,
large stones that have been returned
and stay sealed, like letters that have no
address and no one to recieve them.
by Yehuda Amichai, frome "Two Hopes Away"
translated by Stephen Mitchel.
there is always one who stands beside the window.
He must see the evil among thorns
and the fires on the hill.
And how people who went out of their houses whole
are given back in the evening like small change.
Of three or four in a room
there is always one who stands beside the window,
his dark hair above his thoughts.
Behind him, words.
And in front of him, voices wandering without a knapsack,
hearts without provisions, prophecies without water,
large stones that have been returned
and stay sealed, like letters that have no
address and no one to recieve them.
by Yehuda Amichai, frome "Two Hopes Away"
translated by Stephen Mitchel.
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